Remember Jean Genie

This pressing has been on my radar for some time now and while the record itself would turn up occasionally, I was interested in acquiring both the record, the original sleeve and the original RCA “insert”.

This proved far more challenging but recently the opportunity presented itself. After lengthy negotiations, the item finally arrived and when it did, it came with another pamphlet I’d not encountered before. What a bonus!

This RCA promo features David Bowie’s Jean Genie on one side and Nilsson’s Remember on the other. Beyond this all I knew was that the 1/25 represented the date of release (not that there were only 25 pressings made as some have assumed). Curious as to what the rest said, I asked a former colleague to help out with translations (my thanks again Don). These can be found on the record’s page.

A curious point is that the pamphlet is dated 1973 but the events described all took place in 1972 as far as I can tell (and according to Alan Shipton’s book). Perhaps this “bulletin” was less news and more an ode to “Remember”.

Jimmi Accardi’s Memories of Harry

Harry hides behind a tree

A composer, musician, producer and artist, Jimmi Accardi has written and played with some of the best. Here he shares a few fond memories of his time with Harry … towards the end.

I first met Harry in 1977 when I was the guitarist for Micky Dolenz & Davy Jones during their Monkees reunion tour in 1977. I didn’t see him again until 1993 close to Christmas time. It was more of a social/friendly visit but quickly turned into a two day recording session.

It was in northern California (Grass Valley) at our mutual friend, E.J. Gold’s, home studio. Harry knew E.J. from the 60s at RCA. We had Bob Bachtold join us on drums and Oz Fritz (engineer for so many great artists including Tom Waits). We hung out and jammed and Harry told us what was going on with him and trying to get a new album out. One of the sad things he said was that he left a demo of his new songs at RCA and they never got back to him so he had to call them. That’s when he found out that they never even gave the tapes a listen! He played us some ideas he had on cassette tapes of the things he wanted on his new album. One was a Jimmy Webb tune called “What Does a Woman See in a Man”. Also – “Try, Try, Try”, and a song that Yoko Ono had written lyrics for called “SNOW”. Harry gave me a cassette with just his voice and a single instrument on it. He asked if I would overdub some vocals, guitar, and drums so we did. We also did a duet of a mashup of “Yesterday” and “Georgia” which Harry was convinced was practically the same song except for the lyrics and a single chord. He asked me to sing the “Yesterday” part while he sung “Georgia”.

He’d recently been in the hospital due to complications with his health (I think due to years of abusing his body with drugs and alcohol), and his voice was shot – very hoarse and almost completely gone. But he was having a blast and it was great to have the honor of helping him out. During his stay, we talked and it came up that we were both born in the exact same section of Brooklyn (called Bushwick). He also shared a few stories about the time he spent with The Beatles and especially John. When he was getting ready to go home (he had his kids and his wife Una with him), he was excited and we had plans for him to come back to finish making the demos that would knock RCA out of their socks! I was actually working on one of the demo tapes he left when we got the call that he’d died in his sleep. What a sad feeling that was!!! I remember we had kind of our own vigil for him and recorded a whole album’s worth of Harry-inspired stuff including “Spaceman”, “Jump Into the Fire”, and many more. I still have the recordings.

One more thing. Harry was lazy and had to take a pee during one of the recording sessions and didn’t want to walk all the way from the studio to the house to use the bathroom. He asked “Would anyone mind if I peed on the big tree outside the studio?”. So he did and after he passed away – we named that tree “Harry”!

RCA ’71 Japanese Compilation

Clearing out a backlog of records that required attention (mostly in need of serious cleaning before being placed onto their permanent shelves) and I stumbled across this Japanese compilation I’d purchased quite a while ago but forgotten about.

Three tracks are featured, Everybody’s Talkin’, One, and The Puppy Song. These are the standard releases of these tracks so nothing too special there but the sleeve itself is an incredibly thick gatefold which has an inner pocket. There wasn’t anything in that pocket but I wonder if once upon a time there may have been some kind of promotional sheet housed there. The record itself looks to be unplayed so who knows if this was in fact a promo pressing (it’s a white label, so perhaps). If it was, it doesn’t look like anyone cared to give it a spin. Shame for them, nice for me.

Acetate Schmacetate

Tracking down Harry’s acetates is becoming trickier and trickier but every once in a while, patience pays off. I’ve been meaning to get this added to the archive for a while but my process involves inspecting, playing, cleaning and properly storing every new item I acquire and lately I’ve been battling a bad back which has slowed things way down. Happily, I seem to be on the mend (slowly) and was at last able to give this piece of history the attention it deserved.

This acetate of Nilsson Schmilsson is crackly to be sure, but it does nothing to take away from Harry’s dulcet tones. There aren’t any alternate takes or surprise tracks to be found here but then I wasn’t expecting any. This is just pure Nilsson goodness and that’s plenty for me.